Host Ira Glass surveys various productions of Hamlet being staged around the country: At community colleges in Brooklyn and Honolulu, on a professional stage in Boston, and at a Shakespeare camp for kids in San Francisco—where all the scenes are death scenes.
Ira talks with producer Blue Chevigny about how a prank caller taught her that when it comes to pursuing happiness, Carole King, the world of independent cinema and the New York City Police Department have a lot more in common than she ever imagined. He also talks with MIT Professor Pauline Maier, author of the book American Scripture: Making the Declaration of Independence.
When Alexa was seven, she started going through her grandfather's books. Her grandfather was a playwright and teacher, and through the books—and especially through his notes in the margins—she entered the world of 1930's American theater.
Ira tells the story of Lucia Lopez, a former gang member who would beat you up if she caught you looking at her...and how her life changed when she put herself in a position where hundreds of people were looking at her.
Ira takes a Medieval scholar from the University of Chicago, Michael Camille, to Medieval Times — a chain of fake castles where visitors eat Medieval food and drink Medieval Pepsi and watch a supposed recreation of a Medieval jousting tournament. The scholar finds that there are many historical inaccuracies, but that Medieval Times does capture something essential and interesting about the spirit of the Middle Ages.
As high-school freshmen, Kim, Tiffany, and Laura were enamored of their fellow students who netted the leads in all the school plays. They're seniors now, and they're the ones landing all the lead roles.