Producer Nancy Updike goes to the West Bank to investigate why Israeli soldiers routinely wake up Palestinian families in the middle of the night, to take photos of the teen boys in the house.
An Iraqi translator named Sarah has been trying to get to the U.S. for eight years. Finally, this fall, she got a call to come in for an interview for her visa.
Kim Jong-Il loved movies – but hated all the movies made in North Korea. So he kidnapped a famous South Korean director and his ex-wife, a South Korean film star, locked them up in a villa in North Korea, and forced them to make movies for him.
Kim Jong-Il loved movies, but hated all the movies made in North Korea. So he kidnapped a famous South Korean director and his ex-wife—a South Korean film star—locked them up in a villa in North Korea, and forced them to make movies for him. Nancy Updike tells the story.
Before this show ended we wanted to know—how typical are the horror stories? What happens in a typical drug case? To find out, reporter Nancy Updike spent nine hours in Night Narcotics Court in Chicago. What she discovers is that the system is working as fairly as one could hope or expect, with one caveat: Nearly all the defendants are African-American, even though the jurisdiction contains an equal number of white drug users.
Evan Osnos, a staff writer for the New Yorker who for years reported on China, tells producer Nancy Updike about an incredibly shrewd and successful propaganda campaign that hinged on two words. Evan's book about China, Age of Ambition: Chasing Fortune, Truth, and Faith in the New China, won the national book award in 2014.
Nancy Updike reports that life under curfew in Ramallah can be, among other things, intensely boring. She also tells the story of Sam Bahour, a Palestinian who was born and raised in Ohio, who came back to the West Bank in 1995, when peace seemed possible, to help build the Palestinian state.
Hundred of Iraqi police officers have been killed since the United States invaded Iraq. One Boston cop, Jerry Burke, is trying to keep them on the job, and train them in Western police practices.
The story of a clandestine radio station the CIA set up back in the good old, bad old days of the 1950s, to overthrow Guatemala. The coup succeeded because of the immense power of radio.
"Thug" is a very imprecise word. And as producer Nancy Updike explains, the subjectivity of its meaning has been particularly apparent during the recent revolution in Egypt.
Very few Palestinians speak Hebrew, and very few Israelis speak Arabic, even though most Palestinians and Israelis live a short drive from one another. Nancy Updike has this story about Nasser Laham, a Palestinian TV journalist in Bethlehem who has a nightly show where he translates Israeli broadcasts into Arabic.
The story of a con man, one of the most successful salesmen in a long-running multimillion-dollar telemarketing scam, who finally got caught when he was conned himself. Nancy Updike talks about the case with Dale Sekovich, Federal Trade Commission investigator.
The story of a con man, one of the most successful salesmen in a long-running multimillion-dollar telemarketing scam, who finally got caught when he was conned himself. Producer Nancy Updike talks about the case with Dale Sekovich, Federal Trade Commission investigator.
There’s been a big, messy, fascinating story unfolding in Los Angeles for awhile… involving two big law enforcement agencies: the LA county sheriff’s department, which is huge, and the FBI. A secret investigation got exposed.
Last summer when Nancy Updike was reporting in Iraq, Sarah, an Iraqi woman in her 40s, was her interpreter. But it wasn't the first time Sarah had had that gig.
Reporter Nancy Updike talks to a group of New York City residents about their frustrating attempts to rent an apartment. With hidden microphones, we hear landlords and supers tell the apartment hunters that there's nothing available.
In the Middle East, hundreds and hundreds of tunnels connect the Gaza strip and Egypt, allowing supplies to bypass the Israeli blockade against Hamas-controlled Gaza. Producer Nancy Updike speaks with Ira about the tunnels, and plays tape from an interview she conducted with a tunnel owner.
Ellery Eskelin never met his father but always heard he was a musical genius. Years after his father's death, Ellery started finding recordings of his musical output: he was the king of "song-poems." These are the songs that result when people answer those ads in the backs of magazines that say, "Send us your lyrics, and we'll write and record your song." Ellery's father's musical output was prodigious — and very odd.
Nancy returns with a story that explains the origins of the special visa program for interpreters. A decade ago, a young guy named Kirk Johnson inadvertently became the point person for American policy about the Iraqis and Afghans endangered by their work for us.
Kirk sleepwalks through an open window and into a completely different life. He explains how he starts compiling a list of Iraqis who’d worked with the U.S. government after the invasion, whose lives were now in danger because of that.